W. E. B. Du Bois on Religion

My religious development has been slow and uncertain. I grew up in a liberal Congregational Sunday School and listened once a week to a sermon on doing good as a reasonable duty. Theology played a minor part and our teachers had to face some searching questions. At 17 I was in a missionary college where religious orthodoxy was stressed; but I was more developed to meet it with argument, which I did. My "morals" were sound, even a bit puritanic, but when a hidebound old deacon inveighed against dancing I rebelled. By the time of graduation I was still a "believer" in orthodox religion, but had strong questions which were encouraged at Harvard. In Germany I became a freethinker and when I came to teach at an orthodox Methodist Negro school I was soon regarded with suspicion, especially when I refused to lead the students in public prayer. When I became head of a department at Atlanta, the engagement was held up because again I balked at leading in prayer, but the liberal president let me substitute the Episcopal prayer book on most occasions. Later I improvised prayers on my own. Finally I faced a crisis: I was using Crapsey's Religion and Politics as a Sunday School text. When Crapsey was hauled up for heresy, I refused further to teach Sunday School. When Archdeacon Henry Phillips, my last rector, died, I flatly refused again to join any church or sign any church creed. From my 30th year on I have increasingly regarded the church as an institution which defended such evils as slavery, color caste, exploitation of labor and war. I think the greatest gift of the Soviet Union to modern civilization was the dethronement of the clergy and the refusal to let religion be taught in the public schools.

Religion helped and hindered my artistic sense. I know the old English and German hymns by heart. I loved their music but ignored their silly words with studied inattention. Great music came at last in the religious oratorios which we learned at Fisk University but it burst on me in Berlin with the ninth Symphony and its Hymn of Joy. I worshipped Cathedral and ceremony which I saw in Europe but I knew what I was looking at when in New York a cardinal became a strike-breaker and the Church of Christ fought the Communism of Christianity.

SOURCE: Du Bois, W.E.B. The Autobiography of W.E.B. Du Bois: A Soliloquy on Viewing My Life from the Last Decade of Its First Century (New York: International Publishers, 1968), pp. 285-286.

Note on Du Bois & the fourth dimension:

Du Bois, W. E. B. “A Vacation Unique,” appendix to Dark Voices: W. E. B. Du Bois and American Thought, 1888–1903 by Shamoon Zamir (Chicago; London: The University of Chicago Press, 1995), p. 217-225; and see Zamir’s discussion of the text. See also:

 Bentley, Nancy. “The Fourth Dimension: Kinlessness and African American Narrative,” Critical Inquiry, Vol. 35, No. 2, Winter 2009, pp. 270-292.

A Hymn to the Peoples
by W. E. B. Du Bois

Du Bois on Religion (Contents)
ed. Phil Zuckerman

Black Studies, Music, America vs Europe

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