Aranyosi, Istvan. “Quantifier vs. Poetry: Stylistic Impoverishment and Socio-cultural Estrangement of Anglo-American Philosophy in the Last Hundred Years,” The Pluralist, vol. 7, no. 1, Spring 2012, pp. 94-103.
Aumann, Antony. "Kierkegaard, Paraphrase, and the Unity of Form and Content," Philosophy Today (forthcoming).
Bigelow, Pat. Kierkegaard and the Problem of Writing. Tallahassee: Florida State University Press, 1987.
Blanshard, Brand. On Philosophical Style. Bloomington: Indiana University Press, 1954.
Burgess, Andrew J. “A Word-Experiment on the Category of the Comic,” in International Kierkegaard Commentary: The Corsair Affair, ed. Robert L. Perkins (Macon, GA: Mercer University Press, 1990), pp. 85-121.
Callus, Ivan; Corby, James; Lauri-Lucente, Gloria; eds. Style in Theory: Between Literature and Philosophy. New York: Bloomsbury Academic, 2013.
Cook, Daniel J. Language in the Philosophy of Hegel. The Hague, Mouton, 1973. (Janua linguarum Series minor; 135) Based on the author's thesis, The Role of Language in Hegel's Philosophy, Columbia University, 1968.
de Zilah, Eugène. Antaŭparolo al Diskurso pri la Metodo de Kartezio, tradukita kun klarigoj de Eugène de Zilah (Chapecó: Fonto, 1985), p. 5-9. (2a eld., 2012.) [In Esperanto: on Descartes & the problems of philosophical translation.}
Dick, Alexander; Lupton, Christina; eds. Theory and Practice in the Eighteenth Century: Writing Between Philosophy and Literature. London: Pickering & Chatto, 2008.
Donagan, Alan. "Victorian Philosophical Prose: J.S. Mill and F.H. Bradley," in: English Literature and British Philosophy: A Collection of Essays, ed. by S. P. Rosenbaum (Chicago: The University of Chicago Press, 1971), pp. 208-228.
Epstein, Mikhail. “Lyrical Philosophy, or How to Sing with Mind,” Common Knowledge, vol. 20, no. 2, Spring 2014, pp. 204-213.
Fenves, Peter. Arresting Language: From Leibniz to Benjamin. Stanford: Stanford University Press, 2001.
Fenves, Peter. "Of Philosophical Style—from Leibniz to Benjamin," Boundary 2: An International Journal of Literature and Culture, vol. 30, no. 1, 2003, pp. 67-87.
Gilead, Amihud. The Platonic Odyssey: A Philosophical-Literary Inquiry into the “Phaedo”. Amsterdam: Rodopi, 1994.
Ginsberg, Robert, ed. The Philosopher as Writer: The Eighteenth Century. Selinsgrove: Susquehanna University Press; London: Associated University Presses, 1987.
Goetschel, Willi. Constituting Critique: Kant's Writing as Critical Praxis, translated by Eric Schwab. Durham: Duke University Press, 1994.
Graham, A. C. Disputers of the Tao: Philosophical Argument in Ancient China. Chicago; LaSalle, IL: Open Court Publishing Company, 1989.
Hyppolite, Jean. "The Structure of Philosophic Language According to the ‘Preface’ to Hegel’s Phenomenology of the Mind" [with discussion], in: The Languages of Criticism and the Sciences of Man: The Structuralist Controversy, ed. By Richard Macksey & Eugenio Donato; Baltimore: The Johns Hopkins University Press, 1970; pp. 157-185; 335-344 [French version].
Janik, Allan. Style, Politics, and the Future of Philosophy. Dordrecht: Kluwer Academic Publishers, 1989. (Boston Studies in the Philosophy of Science; v. 114)
Kant, Immanuel. Raising the Tone of Philosophy: Late Essays by Immanuel Kant, transformative critique by Jacques Derrida, edited by Peter Fenves. Baltimore: Johns Hopkins University Press, 1993. Publisher description.
Lang, Berel. The Anatomy of Philosophical Style: Literary Philosophy and the Philosophy of Literature. Oxford: Basil Blackwell, 1990.
Lang, Berel, ed. The Concept of Style. Ithaca, NY: Cornell University Press, 1987.
Lang, Berel. Mind's Bodies: Thought in the Act. SUNY, 1995.
Lang, Berel, ed. Philosophical Style: An Anthology about the Writing and Reading of Philosophy. Chicago: Nelson-Hall, 1980.
Lang, Berel. Philosophy and the Art of Writing: Studies in Philosophical and Literary Style. Lewisburg: Bucknell University Press; London: Associated University Presses, 1983.
Leibniz, Gottfried Wilhelm. Letter to Simon Foucher (1675), in Philosophical Papers and Letters, selection translated and edited with an introduction by Leroy E. Loemker, 2nd ed. (Dordrecht, Holland; Boston: D. Reidel Pub. Co., 1976 [1969, 1st ed. 1956]), pp. 151-154.
Lysaker. John T. Philosophy, Writing, and the Character of Thought. Chicago: The University of Chicago Press, 2018.
Philosophical writing should read like a letter by John Lysaker, Aeon, 09 April 2019.
Marias, Julian; Parsons, James, trans. Philosophy as Dramatic Theory. University Park: The Penssylvania State University Press, 1971.
Mason, Jeff. Philosophical Rhetoric: The Function of Indirection in Philosophical Writing. London; New York: Routledge, 1989.
McBride, William. “Philosophy, Literature, And Everyday Life In The Second Sex: The Current Beauvoir Revival,” Bulletin de la Soc. Américaine de Phil. de Langue Française XIII, 1. Spring 2003, pp. 32-44.
Nuzzo, Angelica. "The Language of Hegel’s Speculative Philosophy," in: Hegel and Language, edited by Jere O’Neill Surber (Albany: State University of New York Press, 2006), pp. 75-91.
Palmiere, Antoine. Nietzsche’s Writing Style. Université Libre de Bruxelles, Faculté de Philosophie et Lettres, 2013-2014.
Peters, Michael; Nicholas C. Burbules. “Wittgenstein, Styles, and Pedagogy,” in Wittgenstein: Philosophy, Postmodernism, Pedagogy by Michael Peters and James Marshall (South Hadley, MA: Bergin and Garvey, 1999), Chapter 9, pp. 152-173; and in Theory and Science, vol. 3, no. 1 (2002).
Pettey, John Carson. Nietzsche’s Philosophical And Narrative Styles. New York: Peter Lang, 1992.
“Philosophy as Style and Literature as Philosophy,”special issue of The Monist, vol. 63, no. 4, October 1980.
Donald Henze / The Style of Philosophy 417
Lee B. Brown / Philosophy, Rhetoric, and Style 425
Berel Lang / Towards a Poetics of Philosophical Discourse 445
Erich Heller / The Poet in the Age of Prose: Reflections on Hegel's Aesthetics and Rilke's Duino Elegies 465
Peter Kivy / Melville's Billy and the Secular Problem of Evil: The Worm in the Bud 480
David Wood / Style and Strategy at the Limits of Philosophy: Heidegger and Derrida 494
Lawrence M. Hinman / Philosophy and Style 512
Charles Griswold / Style and Philosophy: The Case of Plato's Dialogues 530
Edward G. Lawry / Literature as Philosophy: The Moviegoer 547
Ree, Jonathan. Philosophical Tales: An Essay on Philosophy and Literature. London; New York: Methuen, 1987. (Ideas)
Richetti, John J. Philosophical Writing: Locke, Berkeley, Hume. Cambridge, MA: Harvard University Press, 1983.
Rowe, Christopher. Plato and the Art of Philosophical Writing. Cambridge, UK; New York: Cambridge University Press, 2007.
Scharfstein, Ben-Ami. The Philosophers: Their Lives and the Nature of Their Thought. Oxford: B. Blackwell, 1980. See chapter 3, sections “The Relevance of Style: Bacon and Locke”, “The Relevance of Style: Wittgenstein” (pp. 64-73).
Schlanger, Jacques. "The Philosopher and His Mask", Diogenes, no. 157 (1992): 97-112.
Smith, John H. The Spirit and Its Letter: Traces of Rhetoric in Hegel's Philosophy of Bildung. Ithaca: Cornell University Press, 1988.
Stewart, Jon. The Unity of Content and Form in Philosophical Writing. New York: Bloomsbury, 2013. [Note chapters 7-9 on Borges.]
Suber, Peter. Metaphilosophy Themes and Questions: A Personal List. (2000) Several sections apply, e.g. Philosophy and assertion, Philosophy and exposition, Philosophy and style, Philosophy as literature.
Tramuta, Marie-José. “Expression and Translation of Philosophy: Giorgio Colli, a Master of Time,” in The Translator as Mediator of Cultures, edited by Humphrey Tonkin & Maria Esposito Frank (Amsterdam; Philadelphia: John Benjamins Publishing. Company, 2010), pp. 161-168.
Van Eck, Caroline; McAllister, James; van de Vall, Renee; eds. The Question of Style in Philosophy and the Arts. Cambridge: Cambridge University Press, 1995. (Cambridge Studies in Philosophy and the Arts)
Walters, Frank D. "Taxonomy and the Undoing of Language: Dialogic Form in the Universal Languages of the Seventeenth Century," Style, vol. 27, no. 1, 1993, pp. 1-16.
Watson, Richard A. The Philosopher's Joke: Essays in Form and Content. Buffalo, NY: Prometheus Books, 1990. (Frontiers of Philosophy)
The theme purportedly connecting these essays is the relation between form and content, presented in a tongue-in-cheek fashion. For content irrespective of relevance to philosophical style, the most important essay is "The Seducer and the Seduced," about Kierkegaard. Original publication: The Georgia Review, 39 (1985): 353-366. Next in importance, seemingly a joke: "The Relation of Truth of Content to Perfection of Form in Literature"; original publication: Methodos, 15 (1963): 3-16.
Wolters, Gereon. "Style in Philosophy: The Case of Carnap", in Carnap Brought Home: The View from Jena, edited by Steve Awodey & Carsten Klein (Chicago: Open Court, 2004), pp. 25-39.
Zwicky, Jan. Alkibiades’ Love: Essays in Philosophy. Montreal; Kingston: McGill-Queen’s University Press, 2015.
Zwicky, Jan. Lyric Philosophy. Toronto; Buffalo: University of Toronto Press, 1992. Rev. 2nd ed.: Kentville, Nova Scotia: Gaspereau Press, 2011.
Bakhtin, Mikhail. Problems of Dostoevsky’s Poetics, edited and translated by Caryl Emerson; introduction by Wayne C. Booth. Minneapolis: University of Minnesota Press, 1984. (Theory and History of Literature; v. 8)
Bawarshi, Anis S.; Reiff, Mary Jo. Genre: An Introduction to History, Theory, Research, and Pedagogy. West Lafayette, IN: Parlor Press; Fort Collins, CO: WAC Clearinghouse, 2010. (Reference Guides to Rhetoric and Composition) Research on the nature of genre.
Beauvoir, Simone de. “Literature and Metaphysics” (1946), introduction by Margaret A. Simons, translation by Veronique Zaytzeff and Frederick M. Morrison, notes by Tricia Wall, in Philosophical Writings by Simone de Beauvoir, edited by Margaret A. Simons (Urbana: University of Illinois Press, 2004), pp. 263-277. From “Littérature et métaphysique,” Les temps modernes 1, no. 7 (1946).
Borges, Jorge Luis. “‘. . . Merely a Man of Letters’: an interview with Jorge Luis Borges,” Philosophy and Literature, vol. 1, no. 3, Fall 1977, pp. 337-341.
Boylan, Michael. Fictive Narrative Philosophy: How Fiction Can Act as Philosophy. New York: Taylor & Francis; London: Routledge, 2018.
Boylan, Michael; Johnson, Charles. Philosophy: An Innovative Introduction : Fictive Narrative, Primary Texts, and Responsive Writing. Boulder, CO: Westview Press, 2010.
Cascardi, Anthony J.; ed. & intro. Literature and the Question of Philosophy. Baltimore: Johns Hopkins University Press, 1987. Contents of interest:
1 Philosophy as/and/of Literature, Arthur C. Danto (1-23)
2 Philosophy and Poetry: The Difference between Them in Plato and Descartes, Dalia Judovitz (24-51)
3 Philosophical Discourses and Fictional Texts, Peter McCormick (52-74)
4 Levels of Discourse in Plato’s Dialogues, Harry Berger, Jr. (75-100)
Cherkasova, Evgenia V. “Philosophy As Sideshadowing: The Philosophical, the Literary, and the Fantastic,” in What Philosophy Is: Contemporary Philosophy in Action, edited by Havi Carel and David Gamez, with a foreword by Simon Blackburn (London; New York: Continuum, 2004), pp. 200-208.
Di Leo, Jeffrey R., ed. Philosophy as World Literature. New York: Bloomsbury Academic, 2020. (Literatures as World Literature) See esp. chapters 10, 13-15.
Acknowledgments
Philosophy as World Literature: An Introduction / Jeffrey R. Di Leo
Part I World, Worlding, Worldliness
1. The World, the Text, and Philosophy: Reflections on Translation / Brian O'Keeffe
2. Plato as World Literature / Paul Allen Miller
3. Worlding Interpretation, or Fanon and the Poetics of Disalienation / Nicole Simek
4. Alluvia: The Palimpsest of African Memory / Michael Stern
Part II Migration and Difference
5. Feminism as World Literature / Robin Truth Goodman
6. Astonishing Worlding: Montaigne and the New World / Zahi Zalloua
7. Literature of the World, Unite! / Peter Hitchcock
8. Transatlantic Thoreau: Henry S. Salt, Gandhi, and British Humanitarian Socialism / David M. Robinson
Part III Philosophy, Religion, and the East
9. Nietzsche and World Iterature: The Eternal Recurrence of Dualism in Thus Spake Zarathustra / Jeffrey S. Librett
10. Asian Philosophy, National Literatures, and World Literature Anthologies / Junjie Luo
11. The Dharma of World Literature / Ranjan Ghosh
12. Olive-Red in Orhan Pamuk and Anton Shammas: Deconstruction's Eastward Dissemination / Henry Sussman
Part IV Philosophy versus World Literature
13. Existentialism as World Literature: De Beauvoir, Heidegger, and Tolstoy / Robert Doran
14. Jorge Luis Borges and Philosophy / Efraín Kristal
15. Philosophy for the Masses: Haldeman-Julius, Durant, and The Story of Philosophy / Jeffrey R. Di Leo
List of Contributors
Index
Ferrell, Robyn. Genres of Philosophy. Aldershot, Hants; Burlington, VT : Ashgate, 2002.
1 Genres of Philosophy — 2 Love and Writing — 3 The Theatre of Human Nature — 4 Faith in Hume — 5 The Pathology of Reason — 6 Thus Spake Nietzsche — 7 The Truth in Heidegger — 8 Philosophy Without History — 9 Why Bother? — 10 What is Philosophy?
Gracia, Jorge J. E. “Borges’s ‘Pierre Menard’: Philosophy or Literature?”, in Literary Philosophers: Borges, Calvino, Eco (New York: Routledge, 2002), pp. 85-107. Expanded & revised version of original journal article:
“Borges’s ‘Pierre Menard’: Philosophy or Literature?”, The Journal of Aesthetics and Art Criticism, vol. 59, no. 1, Winter 2001, pp. 45-57.
See my review: Borges Revisited (10): ‘Pierre Menard’: Philosophy or Literature?.
Gracia, Jorge J. E.; Korsmeyer, Carolyn; Gasché, Rodolphe; eds. Literary Philosophers: Borges, Calvino, Eco. New York: Routledge, 2002. Contents. See also excerpt from Zamora.
Acknowledgments
Carolyn Korsmeyer, “Literary Philosophers: Introductory Remarks,” pp. 1-13.
Deborah Knight, “Intersections: Philosophy and Literature, or Why Ethical Criticism Prefers Realism,” pp. 15-26.
Irwin, William. “Philosophy and the Philosophical, Literature and the Literary, Borges and the Labyrinthine ,” pp. 27-45.
Lois Parkinson Zamora, “Borges’s Monsters: Unnatural Wholes and the Transformation of Genre,” pp. 47-84.
Jorge J. E. Gracia, “Borges’s ‘Pierre Menard’: Philosophy or Literature?”, pp. 85-107.
Anthony J. Cascardi, “Mimesis and Modernism: The Case of Jorge Luis Borges,” pp. 109-127.
Elizabeth Millán-Zaibert, “A Method for the New Millennium: Calvino and Irony,” pp. 129-148.
Henry Sussman, “The Writing of the System: Borges’s Library and Calvino’s Traffic,” pp. 149-164.
Rocco Capozzi, “Knowledge and Cognitive Practices in Eco’s Labyrinths of Intertextuality,” pp. 165-184.
Wladimir Krysinski, “Borges, Calvino, Eco: The Philosophies of Metafiction,” pp. 185-204.
Ermanno Bencivenga, “Philosophy and Literature in Calvino’s Tales,” pp. 205-221.
Bibliography
Notes on Contributors
Index
Griffin, Clive. “Philosophy and fiction,” in The Cambridge Companion to Jorge Luis Borges, edited by Edwin Williamson (Cambridge: Cambridge University Press, 2013), pp. 5-15.
Habermas, Jürgen. The Philosophical Discourse of Modernity: Twelve Lectures; translated by Frederick Lawrence. Cambridge, MA: MIT Press, 1987. See “Excursus on Leveling the Genre Distinction between Philosophy and Literature,” pp. 185-210.
Habermas, Jürgen. “Philosophy and Science as Literature?” (1998) in Postmetaphysical Thinking: Philosophical Essays, translated by William Mark Hohengarten (Cambridge, MA: MIT Press, 1992), pp. 205-227.
Holland, Margaret G. “Can Fiction be Philosophy?”. Paper presented at the 20th World Congress of Philosophy, Boston, 10-16 August 1998.
Hösle, Vittorio. The Philosophical Dialogue: A Poetics and a Hermeneutics, translated by Steven Rendall. Notre Dame, IN: University of Notre Dame Press, 2012.
Huemer, Wolfgang; Schuster, Marc-Oliver; eds. Writing the Austrian Traditions: Relations between Philosophy and Literature. Edmonton, Alberta: Wirth-Institute for Austrian and Central European Studies, University of Alberta, 2003.
Jordan, Mark D. “A Preface to the Study of Philosophic Genres,” Philosophy and Rhetoric, vol. 14, no. 4, Fall 1981, pp. 99-211.
Lancashire, Ian. Lexicographical Meditations: A Sense of Genre. Humanist Discussion Group, Vol. 14, No. 593, 15 Jan 2001.
Lavery, Jonathan; Groarke, Louis; eds. Literary Form, Philosophical Content: Historical Studies of Philosophical Genres. Madison: Fairleigh Dickinson University Press, 2010.
Introduction: Genre as a tool of philosophical interpretation and analysis / Jonathan Lavery and Louis Groarke — Plato's use of the dialogue form: skepticism and insemination / Kenneth Dorter — Some cautionary remarks on Platonic dialogue / David Gallop — The life of Aesop: rhetoric and the philosophical life / Leo Groarke — From Parmenides to Anselm: philosophy as prayer / Kevin Corrigan — A compilaton of arguments: the skeptic's medicine chest / Glen Koehn — Aristotle through the looking glass: Aquinas as a historian of philosophy / J.L.A. West — Aquinas's disputational format and the community of philosophy / Jill LeBlanc and Jonathan Lavery — Machiavelli's Prince: The speculum principis genre turned upside down / Joseph Khoury — A rhapsody void of order or method: Mandeville's The Fable of the Bees / Jennifer Welchman — Why Nietzsche tries to kill Socrates in The Birth of Tragedy / Louis Groarke — The lectures of J. L. Austin: doing sensible things with words / Paul Groarke — Speculating about weird worlds: philosophy as science fiction / Joseph Novak — Genealogy, narrative, and collective self-examination in Discipline and Punish / Paul Groarke — The ethics of style in philosophical discourse / Berel Lang.
Lem, Stanislaw. “Todorov’s Fantastic Theory of Literature” (Polish 1973, English 1974), Science Fiction Studies, #4 (Volume 1, No. 4), Fall 1974. Reprinted in Microworlds: Writings on Science Fiction and Fantasy, edited by Franz Rottensteiner (New York: Harvest / HBJ, 1986), pp. 209-232. See Stanislaw Lem on Borges & genre, pp. 219-220.
Magnus, Bernd; Stewart, Stanley; Mileur, Jean-Pierre. Nietzsche’s Case: Philosophy as/and Literature. New York: Routledge, 1993.
Marshall, Donald, ed. Literature as Philosophy / Philosophy as Literature. Iowa City: University of Iowa Press, 1987.
Mikkonen, Jukka. The Cognitive Value of Philosophical Fiction. London; New York: Bloomsbury Academic, 2013. (Bloomsbury Studies in Philosophy)
Mikkonen, Jukka. “Intentions and Interpretations: Philosophical Fiction As Conversation,” Contemporary Aesthetics, vol. 7, 2009, pp. 1-17.
Nanay, Bence. “From Philosophy of Science to Philosophy of Literature (and Back) via Philosophy of Mind: Philip Kitcher’s Philosophical Pendulum,” Theoria: An International Journal for Theory, History and Foundations of Science, segunda epoca, vol. 28, no. 2 (77), May 2013, pp. 257-264.
Nanay, Bence. “Philosophy versus Literature? Against the Discontinuity Thesis,” The Journal of Aesthetics and Art Criticism, vol. 71, no. 4, Fall 2013, pp. 349-360.
Nightingale, Andrea Wilson. Genres in Dialogue: Plato and the Construct of Philosophy. Cambridge; New York: Cambridge University Press, 1995.
Introduction
1. Plato, Isocrates, and the property of philosophy
2. Use and abuse of Athenian tragedy
3. Eulogy, irony, parody
4. Alien and authentic discourse
5. Philosophy and comedy
Conclusion
Peters, Michael A. “Academic Writing, Genres and Philosophy,” Educational Philosophy and Theory, vol. 40, no. 7, December 2008, pp. 819-831.
Peters, Michael A., ed. Academic Writing, Philosophy and Genre. Chichester, West Sussex, UK; Malden, MA: Wiley-Blackwell, 2009.
Introduction: Thinking in fragments; thinking in systems / Michael A. Peters — Academic writing, genres and philosophy / Michael A. Peters — Philosophical writing: prefacing as professing / Rob McCormack — Ong and Derrida on presence: a case study in the conflict of traditions / John D. Schaeffer & David Gorman — Bridging literary and philosophical genres: judgement, reflection and education in Camus' The Fall / Peter Roberts — Reading the other: ethics of encounter / Sarah Allen — The art of language teaching as interdisciplinary paradigm / Thomas Erling Peterson — Philosophy as literature / Jim Marshall.
Prince, Michael. Philosophical Dialogue in the British Enlightenment: Theology, Aesthetics, and the Novel. Cambridge: Cambridge University Press, 1996.
Introduction: Dialogue and Enlightenment
Part I. Strains of enlightenment:
1. Shaftesbury’s characteristic genres: concepts of criticism in the early eighteenth century
2. Shaftesbury’s The Moralists: a dialogue upon dialogue
3. Berkeley and the paradoxes of empiricism: A Treatise concerning the Principles of Human Knowledge and Three Dialogues between Hylas and Philonous
4. Berkeley’s Alciphron, or the Christian Cicero
5. Hume and the end of religious dialogue: Dialogues concerning Natural Religion
Part II. Dialogue, aesthetics and the novel:
6. The Platonic revival: 1740-1770
7. Anti-Platonism and the novelistic character
8. Dead conversations: Richard Hurd’s late poetics of dialogue
9. Utopia or conversation: transforming dialogue in Johnson and Austen
Epilogue: Some dialectics of Enlightenment“This book offers the first full-length study of philosophical dialogue during the English Enlightenment. It explains why important philosophers—Shaftesbury, Mandeville, Berkeley and Hume—and innumerable minor translators, imitators and critics wrote in and about dialogue during the eighteenth century; and why, after Hume, philosophical dialogue either falls out of use or undergoes radical transformation. Philosophical Dialogue in the British Enlightenment describes the extended, heavily coded, and often belligerent debate about the nature and proper management of dialogue; and it shows how the writing of philosophical fictions relates to the rise of the novel and the emergence of philosophical aesthetics. Novelists such as Fielding, Sterne, Johnson and Austen are placed in a philosophical context, and philosophers of the empiricist tradition in the context of English literary history.”
Sandler, Sergeiy. “Habermas, Derrida, and the Genre Distinction between Fiction and Argument,” International Studies in Philosophy, vol. 39, no. 4, 2007, pp. 103-119.
Stewart, Jon. The Unity of Content and Form in Philosophical Writing. New York: Bloomsbury, 2013. [Note chapters 7-9 on Borges.]
Tejera, Victorino. Literature, Criticism, and the Theory of Signs. Amsterdam; Philadelphia: John Benjamins Publishing Company, 1995. (Semiotic Crossroads; v. 7)
Watson, Donald. Review Article: Boundaries of Genre (Gary Saul Morson, The Boundaries of Genre: Dostoevsky’s Diary of a Writer and the Traditions of Literary Utopia), Science Fiction Studies, #27 (vol. 9, part 2), July 1982.
Library of Congress subject headings: Philosophy--Authorship
Philosophy and literature - Wikipedia, the free encyclopedia
Philosophy and Literature at Stanford - Library
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"‘Philosophy’
and ‘Literature’: Relationships of Genres and the Frontiers of Thought"
by R. Dumain
(with bibliography)
Literary
Theory, Philosophy, Genre, Borges et al Revisited
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Borges Revisited (10): ‘Pierre Menard’: Philosophy or Literature?
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by R. Dumain
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1987
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